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Jeanne Toussaint, a symbol of the creative and celebratory Paris of the era, met Louis Cartier before the First World War, who entrusted her with creating a line of leather goods in 1920.Jeanne Toussaint marked a turning point in this journey; both a trailblazer in the .
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Initially in charge of leather goods and accessories, Jeanne Toussaint took .Jeanne Toussaint (1887–1976) was a Belgian-born French jeweller and fashion designer who exerted considerable influence on jewellery design after Louis Cartier appointed her Director of Fine Jewellery in 1933. She is remembered in particular for her panther designs which first appeared as a decoration for a Cartier watch in 1914 and became the theme of several creations for the Duchess of Windsor The French jewellery maison is spotlighting Jeanne Toussaint, the first female creative director that helmed the house between 1933-1970. Treasured jewels and sparkling diamonds shine bright in the subconscious at .
As a young woman Toussaint became known as a stylish and creative ingénue. It was this charisma that attracted infamous fashion designer, Coco Chanel, illustrator George .
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Jeanne Toussaint marked a turning point in this journey; both a trailblazer in the male-dominated society of the early 20th century and a revolutionary figure in modern jewelry, Toussaint was appointed by Louis Cartier in 1933 as . In 1933, Jeanne Toussaint, who was Louis Cartier’s muse, took over as director of the design house’s jewellery department, moving away from abstract Art Deco designs and into jewels of great realism.“A woman who revolutionized contemporary jewelry” is how Cartier describes jewelry designer Jeanne Toussaint in the 2019 film series, entitled L’Odysée de Cartier. Diamond, Emerald, Onyx Panthére ring by Cartier. Born in 1887, .Initially in charge of leather goods and accessories, Jeanne Toussaint took over as creative director in 1933, a position she held until her retirement in the early 1970s. Louis Cartier .
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Subscribe to the Maison’s channel https://bit.ly/CartierYoutube Cartier Legendary Stories: Jeanne Toussaint From her meeting with Louis Cartier to her supr.
Elle rencontre Louis Cartier à la veille de la Première Guerre mondiale, alors qu'il vient de divorcer. Âgé de 40 ans, il apporte plusieurs innovations à la maison de joaillerie familiale et . The panther is Cartier's most famous animal. But why is this so, and how has this 'beastly' line managed to remain in the watch and jewelry collection for more than 100 years? A look at the relationship between Louis .Initially in charge of leather goods and accessories, Jeanne Toussaint took over as creative director in 1933, a position she held until her retirement in the early 1970s. Louis Cartier appreciated her assertiveness and her vision, which would constantly evolve the Maison's style. It was the convergence of these two free spirits that laid the . Heritage department: "Jeanne Toussaint met Louis Cartier in the days of World War I. He was immediately intrigued by her sure taste, and asked her to join the maison in the early 1920s. They .
Publicity poster using the ‘Dame à la Panthère’ painting by George Barbier for Cartier, 1986. Like Louis, Jeanne Toussaint was a friend of George Barbier, and it’s rumoured that the painted Dame was, in fact, Toussaint herself. Quite fittingly, it’s likely that Toussaint was the first woman in Paris to wear a coat made of panther fur.
Jeanne Toussaint (1887 – 1978) dramatically impacted jewelry design during her decades as director of Cartier’s luxury jewelry department, which she took over in 1933. Under her guidance in the late 1930s, Cartier began to move away from abstract Deco designs and into figurative work such as a series of black lacquer lady bugs and American .
第一位执掌珠宝设计工坊的女性—— Cartier “猎豹女士” Jeanne Toussaint. . 传闻，Toussaint 与 Louis Cartier 不仅在设计和美学上一拍即合，同时她的个人魅力也让 Louis Cartier 深深为之倾倒，赠予其 little Pantheré（小猎豹）的昵称。Jeanne Toussaint in her office in Paris in 1955,⁴ and a cigarette case, designed in 1917, gifted to her by Louis Cartier featuring the panther motif, a reference to her nickname.⁵
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Jeanne Toussaint is as iconic as the 'Panthere de Cartier' emblem itself. Muse of Louis Cartier and Artistic Director of Haute Joaillerie for the Maison from 1933-1970, Cartier called her 'The Panther" recognizing her fearless, whimsical sense of style, her wit, and her vivid imagination. Initially hired in 1913 as Director for bags, accessories and objects, Jeanne was .This figurative panther, fully represented, evokes another appearing on a cigarette case created in 1917 and offered to Jeanne Toussaint by Louis Cartier. 2017 Panthère de Cartier bracelet in white gold, emeralds, onyx and diamonds. This jewel offers a figurative vision of the animal as a feline, with a very realistic approach.
Promoted by Louis Cartier to head of the Fine Jewellery department in 1933, Toussaint also had a large impact on watchmaking at Cartier. Overseeing an entirely male workforce of designers, gem-setters and craftsmen, the creations from this time have become some of the most collectable Cartier pieces in history.
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Fascinated by her, Louis Cartier declared her his muse. And in 1919 he gifted her a black and gold vanity case featuring a panther. This, unbeknown to both of them at the time, would go on to be a symbol synonymous with the house. It was only a matter of time before Cartier hired Toussaint as the head of their silver department. Cartier employed many talented Parisian designers, such as Charles Jacqueau and Pierre Lemarchand, who were pivotal in creating many of the brand’s most remarkable pieces and cementing its place as a leader in the world of high jewelry. Thanks to the visionary Jeanne Toussaint (appointed creative director of Cartier in 1933), Cartier channeled a wide array of .The Jeanne Toussaint Fine Leather Goods collection is an ode to the Cartier muse of the 1920s, a woman highly esteemed for her audacity and elegance. A line of bags adorned with graphic lines and jewellery clasps. Each piece requires the full range of expertise of our most skilled leather goods craftsmen, from the selection of the finest leathers to the well-honed precision of .
In 1914, Louis Cartier met Jeanne Toussaint, the Belgian French style icon who would become his muse and rumored lover. Often immaculately dressed in her signature turban and silk pajamas, she .
Jeanne Toussaint, née le 13 janvier 1887 à Charleroi [1] et morte le 7 mai 1976 en son domicile dans le 16 e arrondissement de Paris [2], est une joaillière franco-belge.. À son arrivée à Paris, elle se fait demi-mondaine comme sa sœur, qui la surnomme la panthère [3].Elle devient l'amie de Coco Chanel et l'amante de l'orfèvre Louis Cartier.En 1933, ce dernier en fait la directrice . The panther is one of Cartier’s most enduring symbols, first appearing in 1914 as a wristwatch dial set with onyx and diamonds. The woman responsible for transforming the ‘big cat’ from a dial motif into a 20th-century .
The Jeanne Toussaint Fine Leather Goods collection is an ode to the Cartier muse of the 1920s, a woman highly esteemed for her audacity and elegance. A line of bags adorned with graphic lines and jewellery clasps. Each piece requires the full range of expertise of our most skilled leather goods craftsmen, from the selection of the finest leathers to the well-honed precision of . Jeanne Toussaint served as Louis Cartier’s right hand and steered the company’s jewellery design from the 1930s up until the 1970s. Nicknamed “la panthère”, she was as feisty as she was flamboyant. Among countless other contributions to the Cartier oeuvre, Toussaint is credited with establishing the house’s longstanding panther motif Jeanne Toussaint was born in 1887 in Charleroi, Belgium . Toussaint fell in love with the forty three year old Louis Cartier. one of the three Cartier brothers of the Cartier jewellery empire. In spite of their love for each other, they were not permitted to marry, .
Jeanne Toussaint, nicknamed La Panthère, is the pioneer behind Cartier’s iconic collection (Image: Cartier) However, it wasn’t until Jeanne was older when she got acquainted with Louis Cartier in Paris. Captivated by her joie de vivre and taste, Louis offered Jeanne a position at the company towards the end of 1913; overseeing accessories at Cartier.
Perhaps the most recognisable motif the House’s history, the Panthère remains the most sought-after design for collectors and aficionados of the brand. The design was originally conceived by Jeanne Toussaint when she spotted a panther whilst on safari with Louis Cartier in the early 1900s. Louis-François Cartier revolutionized luxury jewelry, transforming his small Paris workshop into the globally renowned House of Cartier. How did he manage it? . How did Jeanne Toussaint contribute to Cartier's legacy? Jeanne Toussaint was a pivotal creative force behind iconic collections like Tutti Frutti. Her keen sense for originality .Jeanne Toussaint (1887-1976) va ser una joiera i dissenyadora de moda francesa nascuda a Bèlgica que va exercir una gran influència en el disseny de joies després que Louis Cartier, la nomenés directora d'Alta Joieria de Cartier l'any 1933.Se la recorda sobretot pels seus dissenys de panteres, que descobertes per primera vegada com a decoració d'un rellotge Cartier el .
In 1913, Louis Cartier commissioned Barbier to draw an advertising campaign to reflect a modern, worldly and alluring woman. The resulting image - Dame à la Panthère - reflects the shift towards Art Deco styling, with an elegant model, adorned with long sautoir necklaces and pearls with a sleek black cat at her feet. It is this drawing that is thought to be the first . After the First World War, in 1916, Louis Cartier collaborated with the Couet brothers to create the "Mystery" watch, which was one of his great achievements, during which time he met and collaborated with Jeanne Toussaint. Jeanne comes with the "S line" of handbags, various silver objects, beautiful "travel necessaries", etc. Toussaint, who joined Cartier around 1913, had earned the nickname of “La Panthere” from Louis Cartier, perhaps because she wore a full length panther coat, perhaps because she was ferociously .
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